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Antique Stoneware Cobalt Blue Lion Head Soap Dish Lid
Rare Lion's Head Cobalt Blue Soap Dish. This wonderful dish was originally a jar lid and then used as a soap dish. The raised, embossed lion's head design allowed for moisture to run off the soap. Good condition with a small chip on bottom rim and a few small chips on inside rim. 1.25 x 4.5 inches.

John Wilkes Booth Carte de Visite
John Wilkes Booth Carte de Visite. A good sharp image of Booth seated facing to the left holding his cane. Gutman #21, originally taken by Silsbee & Case of Boston in 1862. 4 x 2 inches. Very good condition with minor age and a few pinholes in edge of card; image is in fine condition.

Original Signed Willard F. Clark Woodblock Print
Original Signed Willard F. Clark Woodblock Print. A beautiful, multicolored print with a cream border of a night scene with a woman and young girl kneeling in front of a large cross. A distant house or barn on the hills. It is hand signed in pencil on the bottom right-hand edge WF Clark. Purchased in Santa Fe, NM in the 1980s. Glued to mat board, faint edge discoloration.

Original Frank Howell Signed Lithograph Plains Vestige
Original Frank Howell Signed Lithograph Plains Vestige. Frank Howell, 1937-1997. Frank Howell’s works combined the spiritual and physical world of Native Americans. He depicted Native Americans with dignity and respect. Born and schooled in Sioux City Iowa, he moved in the late 1960s to Colorado and then to New Mexico where he opened the Howell Galley in Santa Fe. Howell is famous for his lithographs which he considered a “printer’s paintings.” This original, framed lithograph, is titled “Plains Vestige”, hand signed, numbered 19/140, and dated 1992 in pencil by Frank Howell. It is of a crow in a quill-work and feathered robe. The crow is an important part of Native American folklore and legend. One legend tells the story of the Rainbow Crow. The lithograph is 13” x 10.75”. It is under glass, mounted on black and double framed and matted. Overall it is 24” x 21.25”. Very good condition. A label on the back is from Yvonne Johnson Fine Art Framers, Santa Fe.

Harper's Weekly November 16, 1861 Lincoln and Scott
Harper's Weekly November 16, 1861 Lincoln and Scott. Black; cream. Paper. This original issue is marked, Harpers Weekly, Vol. V.--No. 255., New York, Saturday, November 16, 1861. The cover engraving is titled, "The Last Meeting Between General Scott and The Cabinet." It is labeled, "Lincoln, Smith, Chase, Blair, Cameron, Seward, Scott, Welles and Bates." Abraham Lincoln sits at the head of a table with the cabinet. General Scott stands in the center pointing to a document on the table. Civil War ; THIS IS AN ORIGINAL WOOD ENGRAVING.

Antique Jerome Shelf Clock
Antique Jerome Shelf Clock. Brown and gold with blue; green; red; brown; yellow; cream; tan and black reverse painted glass.. Wood; glass; metal; brass. The steeple wooden case is grain painted with gold leaf edging. The bottom glass of the door has the original reverse painting of two duck hunters in a row boat with a dog in the water and ducks in the sky. It has eight day spring works with chime and pendulum. The back paper reads, Manufactured by Jerome & Co. New Haven Conn. U.S.A.

Thomas Nast Political Cartoon from Harper's Weekly
Thomas Nast Political Cartoon from Harper's Weekly. Black; cream. Paper. This original full page engraved cartoon is titled, "The Web of Ruin." The caption reads: "Come into my Parlor," said the "Boss" Spider to the New York Fly. It is of a large spider with a mans head. It is signed, "Th:Nast." It is marked, "November 10, 1877, Harpers Weekly, 881."

Antique Iron Still Bank
Antique Iron Still Bank. Black; red and dark red. Iron. The bank building has a copula. The roof of the copula, the bank roof, and the brick trim around the bottom are painted black. The sides are painted a dark red and the windows, door and the word BANK are highlighted in bright red. The are two windows in front and steps.

Karl Bodmer Steel Engraving of Mandan Women
Karl Bodmer Steel Engraving of Mandan Women. Red; green; yellow; blue; white; gray; black. Paper; glass; wood. This hand colored print is titled, "Mandan Women." It is a scene of dancing Mandan women, wrapped in blankets and wearing hat and feather head-dresses. It is marked, Drawn by Cr. Bodmer, Engd. By Rawdon, Wright & Hatch. Native American

Folding Mallard Duck Decoy J. W. Reyonlds
Vintage Folding Mallard Duck Decoy. This wonderfully detailed, hand painted, folding Mallard Duck decoy has three die-cut ducks, two drakes and a hen. It has its original spring, hinges and brass weight. It is stamped, J. W. Reynolds, Patentee and Sole Mfr., Chicago Ill. It is in used condition, the 2 inch brass weight has a wonderful dark green patina, the string is separated. 21 x 7 inches when closed.

Antique Anchor Lantern
Antique Anchor Lantern. The lanterns gray paint is old. It has a handle for carrying and hanging, heavy wire guards protect its Frensel lens and 4 heavy rings are attached to the sides for mounting. A small brass plate on the front is marked ANCHOR PATT. 4893. The brass burner clamps into the bottom of the lantern and the burner knob is marked SHERWOODS BHAM. Kerosene.

Kinnear Type Toleware Lard Lamp
Kinnear Type Toleware Lard Lamp. Tole painted black; green; gold and red. Tin. This Kinnear lamp is tole painted in a tulip design.

Ancient Clay Lamp with Menorah, Judaica
Ancient Clay Lamp with Menorah, Judaica. Sand and gray patina. Baked clay. Menorah embossed on top of lamp.

Antique Wrought Iron Rushlight With Wood Base
Antique Wrought Iron Rushlight With Wood Base. Black patina. Wrought iron with turned wood base. The hand wrought iron holder has scissor action pointed prongs and a right-angled counter balance arm. The base of the iron shaft has hammered rings. The iron shaft is fitted into a piece of smooth round burl wood.

Julian Scott Print of Piah
Julian Scott Print of Piah. Green; brown; gray; tan; black; white; pink; red; blue.. Paper; glass; wood. This framed chromolithograph by Julian Scott is signed in the plate, Scott, 91. It is marked, "Eleventh Census of the United States, Robert P. Porter, Superintendent. Indians." It is titled, "Piah, Ute Chief-Colorado, 1891." Native American

Lincoln's Review
Lincoln's Review. Black and white. Cardstock. From An Artists Story of the Great War, relief-etching #63, signed E. Forbes. Written by the artist, "A Grand Reivew by Presd. Lincoln. A Sketch. , Civil War , Abraham Lincoln

Antique Bitters Bottle
Antique Bitters Bottle. Red Amber. Glass. This bottle is blown, two molded, square with reeded edges and applied sloping collar mouth is marked 57 on its base, Paines on one side and Celery Compounds on the opposite side.

Garcia Sisters Slate Jaguar Carving, Belize
Garcia Sisters Slate Jaguar Carving, Belize. Black, green, gold leaf, slate, mat, glass, wood. In a shadow-box frame, this hand carved Standing Jaguar, symbol of power and authority, Lord of the Jungles, is of slate stone found in the Belize jungle. It was inspired by the ancient Mayan art of slate carving and is an original piece of folk art from San Ignacio, Town Caye District, Belize, Central America.

Charles Bird Mezzotint Hand Colored Print
Charles Bird Mezzotint Hand Colored Print. Blue-green; sepia; black; gray; white; and blue in gold leaf frame. Paper; wood; glass. Framed. Head profile of a young lady, her blond hair tied up in velvet cord and pearls. She wears a low cut velvet and brocade gown and a pearl and sapphire necklace. Engraved, "Vxor Ioannes De Bardi. Antonio Pllaivolo. 1480 circa." Signed in pencil, "Engraved & printed in colour at one printing without retouching. Charles Bird."

Wide-Awakes from Harper's Weekly, Abraham Lincoln
Wide-Awakes from Harper's Weekly. Black; cream. Paper. This engraved, double page centerfold is titled, "Grand Procession of Wide-Awakes At New York On The Evening of October 3, 1860." It shows a large parade of men in uniform carrying torches. Horse drawn floats carry banners marked, "Lincoln and Hamlin" and "Free Speech." The Tribune Building, The Day Book-Sunday Times Building and the New York Times Building can be seen. The Wide-Awakes were considered radical, but were strong supporters of Lincoln in the 1860 presidential campaign. They opposed slavery and its extension and staged large parades at night, singing and carrying lanterns. Civil War, Abraham Lincoln; THIS IS AN ORIGINAL WOOD ENGRAVING.

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